![]() With Scream 4’s cut and body filters, two parameters for its ten modes including overdrive, distortion, feedback and tape damage, you can use it for digital bit crushing, or regular crushing. You can access them from a fold-out remote when pressed. Aslo the eight separate knobs for algorithms and their parameters. The RV7000 contains basic reverb controls located on the main panel. It is a tool that maximizes the volume of your Reason tracks, without crushing them or introducing other unwanted artifacts. It is a single-band compressor with a sidechain input for advanced compression such as ducking or de-essing, and CV out for dynamically controlling other devices. It splits the incoming audio into low and high frequency bands, and lets you adjust each independently. The MClass Equalizer lets you make subtle or drastic frequency adjustments to the audio. The MClass Equalizer is a 4-band, professional level mastering EQ with low and high shelving bands, two peak filters and a low cut switch. It has ten channels that plays samples loaded individually or from a preset kit. The Redrum device is a sample-playback drum module with a built in pattern sequencer. Plays back samples created by the ReCycle (program) in the. Useful features include alternate sample playback, auto-pitch detection, keyboard zones with individual parameters, and tempo syncable LFOs. It can work with multiple samples which you can be assign to different keys on the keyboard. The NN-XT device is an advanced sampler with many features. There are two ways of getting sound out of NN19: load a single wav/aiff sample or load a sampler patch. You can fully automate all of the controls on the NN-19 from a controlling device. The NN-19 device is Reason’s original sampler, introduced in the first version. Malström features many filtering and modulation options. This technology is a cross between granular synthesis and wavetable synthesis. The Malström device creates its sounds using Graintable technology. Six filter and oscillator slots let you load up three different filter modules and three different oscillator modules simultaneously. The Thor device simulates a semi-modular synthesizer. Its two oscillators can produce basic waveforms such as square, sawtooth, triangle, and sine. Subtractor is a polyphonic synthesizer device based on subtractive synthesis, which is the method used in classic, analog synthesizers. Similar to the Mixer 14:2, and also known as the Micromix, it is a smaller, six channel mixer, with only one auxiliary send and return, no EQ, smaller level controls and limited metering. It has fourteen stereo channels with level meters, fixed bass and treble EQ and four stereo auxiliary sends. Reason’s mixer is used to group numerous device outputs into a stereo output. And supports up to sixty-four separate outputs. The Hardware Interface handles the connection between software and hardware. Patches have been created by producers like Death Cab for Cutie’s Jason McGerr, Bomb Squad’s Hank Shocklee, Black Eyed Peas’ Printz Board, DJ Lucky Date, Kill the Noise, and more. Reason software has a huge sound bank full of inspiring instruments, synth patches, loops, and effects. You can use them in music production from reverb to compressors, vocoders, synths, distortion units, and parametric EQs. Walk into any professional recording studio and you will see racks filled to the brim with different tools. With its generous sound bank and intuitive flow, Reason helps you along in the creative process and is the music software that never gets in your way. Play them live or used with other sequencing software. You can use the Reason software either as a complete virtual music studio or as a collection of virtual instruments. All of which can be freely interconnected in an arbitrary manner. It emulates a rack of hardware synthesizers, samplers, signal processors, sequencers, and mixers. Reason Studios’s Reason is a virtual studio rack with all the tools and instruments you need to turn your ideas into music.
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